Left & Middle Cups = Starry Night Base, Coastal Blue dip 1/2 way down, topped with Cream.
Right Cup = Starry Night Base, Cream dip 1/2 down, topped and 1/2 angle dip of Coastal Blue
It was a nice exploration of the glaze effects – albeit with the tiny variables of how long it is heated in the kiln, how high the kiln temperature is, and where it sits in the kiln.
I brought the cup on the right to work to test it out – the drinkability (i.e. how it rests on my lips as I drink my coffee, how balanced does a full cup of coffee sit, how do my fingers feel and lay while holding the cup with the handle, etc). I love the smooth roundness of the cup. But I am seeking a more blue effect, a #CosmicBlue effect that reminds me of space, space gas, exploration, evolution, God’s creation, etc.
Recent inspiration came from a Pintrest whereas the middle of the pottery piece had a distinctive band of glaze that was then accentuated by cosmic glaze on the upper and lower parts. What a fun exploration of glaze play I thought! I wondered how they did it (more than one potter had examples).
BUT at studio I had to hurry hurry to complete my little goal – oooh dear. Not the technique I was hoping to do BUT I got an atypical technique completed.
Here is the current set using a ‘new’ technique – brushed on Coastal Blue in the mid section, dipped in Starry Night on top and bottom – – and then I nearly forgot about the INSIDES! So my Starry Night kind of went all over on 2 pieces for sure. And the last minute cream shower along the rim and the sides….
RESULTS – Part One
Okay so I ended up placing these 4 pieces on pieces of broken shelving JUST IN CASE the glazes ran – and thankfully I did. Three of the four ran. I thank my fellow Clayscapes Pottery potter friends with oodles of more experience than I for suggesting the shelving bits!
Results – Part Two
Success can be achieved while #Learning!
-Oneida Shark Pottery
Run Run Run. For this attempt I’d give myself a C- for the results. If I choose to explore the mid-section Coastal Blue glaze I may put it on taller pieces, reduce the # of seconds i hold the Starry Night glaze on the bottom and glaze the interior first. I’d give myself an A+ for effort!
I heard these words, “Personal Relationship with the Matter World” from a recent YouTube video from Linda Moulton Howe (conversation at 39 mins 14 secs) and it resonated with me right then, right there. I felt a harmonious connection with those words and our recent Wood-firing event – – because creating pottery with a wood-fired kiln process is really, as artist, instructor, and amazing soul Wes Weiss recently said, it’s a “Labor of Love“.
Here are some photos from the 2018 wood-firing May 18-May 20.
I thought I’d design some bowls with a Ukrainian Easter Egg inspired theme. After researching the meaning of the symbols I realized that maybe less is more? So I focused on good health (wheat, pine needles, grapes), Christ (rose star, fish, fishing nets), and spiritual growth/prayer (ladder), and everlasting life (wave/curls). I even included stars. Hopefully these bowls turn out well, as the intent of the decorations are my Christmas Wishesfor my friend and for everyone.
The bowls pictured have the designs in black, red, and yellow underglaze, all covered in Crystal Clear glaze. They should be ready in time for a holiday delivery. I’ll post the resulting photos once they come out of the kiln.
The bowls came out in time for a Christmas delivery! Two bowls were chosen: the cross of red in center (top left) and the cross of yellow in center (bottom)
I researched the symbols used on Ukrainian Easter Eggs and settled on just a handful that resonated (and that I could try my hand at). One of the resources used was a lovely find, “Pysanky Symbols“: http://bookczuk.blogspot.com/2015/02/2015-version-of-pysanky-symbols-chart.html, created by Amy Romanczuk. According to the blogspot, “Amy Romanczuk is an artist and retired pediatric nurse in Charleston, SC. She is self-taught pysanky writer of Ukrainian heritage. Several of her original design pysanky were accepted into the collection of Museum of Ukrainian Decorative Folk Arts in Kyiv, as representational from artists outside Ukraine.”
It was a beautiful day in central New York on Saturday, May 28, 2016.
By beautiful, I mean the clouds were puffy white against a sky of deep blues, and although the breeze was slight, the temperatures were in the low 90’s and the sun was beating us down like a.. well, let me just say it was HOT! We’re not exactly used to 90 degree weather here in CNY, especially so early in the season – but like most folks I talked with I wasn’t complaining.
We arrived to the destination of the first wood firing of the year (there will be 2 more sessions this year)! The area seemed most welcoming with a good deal of positive loving energy. And upon quick glance, the care and work associated with building a wood-firing spot were definitely evident.
We proceeded down the path to the hot spot – literally, where high stacks of hard and soft wood sat patiently waiting for their turn to help realize the dreams and hopes of those who created more than 400 earthly creations.
Sean was the only volunteer present at the time. He welcomed us warmly (excuse the wood-firing pun), sharing the history, his insights, teaching us about the wood-firing process and the furnace. We are definitely appreciative of his wealth of knowledge and generosity!
Sean shared how the surfaces of the pottery pieces could be affected by their placement and direction facing the fire.
The addition of soda ash circulates in the furnace to help produce a glazed effect on as many surface locations as possible.
We stayed only a short time but learned a lot!
I am truly in awe and in appreciation for all the people that worked together to make the wood firing a reality.