Pondering, mulling, thinking, analyzing, planning, hoping, etc. Stay with me on this brief venture through exploration & pottery research.
While juggling two clay bodies and exploring my intent for each clay for this year’s creation lots, I ventured down the rabbit hole of researching SLIPS & mason stains in hopes of decorating or enhancing my pieces in a cool new way. During this time my memories included brief mentions from Master Potters Millie (St. John) Schmidt (https://www.ipacny.org/millie-st-john) and Tim See (http://www.timseeceramics.com, https://www.youtube.com/user/timseepots). But I had a twist to include, which was “would mason stains work well on bmix wood clay body for wood-firing“…which I plan to research more of course…
So then I happen to pop over to the issue of CRAZING, which for some reason led my curiosity to body cracking and glaze popping …
Do you see how my mind trails? LOL
So today though, I research and find a resting area in the rabbit hole I’m venturing where I exclaim (silently of course), “Ahhh! My college chem courses have just laughed at me!” (see picture below “Figure 2”). What a good moment for some humor!
Okay, here is the illustration that helped me realize it was time for another cup of coffee:
Body Cracking and Glaze Popping – Kgs.Ku.edu
1 Key Point of this blog vent(uring) is:
Give THANKS for each breath, both in and out. For each of moment can bless you with #yet-to-be-realized wisdom and love.
Left & Middle Cups = Starry Night Base, Coastal Blue dip 1/2 way down, topped with Cream.
Right Cup = Starry Night Base, Cream dip 1/2 down, topped and 1/2 angle dip of Coastal Blue
It was a nice exploration of the glaze effects – albeit with the tiny variables of how long it is heated in the kiln, how high the kiln temperature is, and where it sits in the kiln.
I brought the cup on the right to work to test it out – the drinkability (i.e. how it rests on my lips as I drink my coffee, how balanced does a full cup of coffee sit, how do my fingers feel and lay while holding the cup with the handle, etc). I love the smooth roundness of the cup. But I am seeking a more blue effect, a #CosmicBlue effect that reminds me of space, space gas, exploration, evolution, God’s creation, etc.
Recent inspiration came from a Pintrest whereas the middle of the pottery piece had a distinctive band of glaze that was then accentuated by cosmic glaze on the upper and lower parts. What a fun exploration of glaze play I thought! I wondered how they did it (more than one potter had examples).
BUT at studio I had to hurry hurry to complete my little goal – oooh dear. Not the technique I was hoping to do BUT I got an atypical technique completed.
Here is the current set using a ‘new’ technique – brushed on Coastal Blue in the mid section, dipped in Starry Night on top and bottom – – and then I nearly forgot about the INSIDES! So my Starry Night kind of went all over on 2 pieces for sure. And the last minute cream shower along the rim and the sides….
RESULTS – Part One
Okay so I ended up placing these 4 pieces on pieces of broken shelving JUST IN CASE the glazes ran – and thankfully I did. Three of the four ran. I thank my fellow Clayscapes Pottery potter friends with oodles of more experience than I for suggesting the shelving bits!
Results – Part Two
Success can be achieved while #Learning!
-Oneida Shark Pottery
Run Run Run. For this attempt I’d give myself a C- for the results. If I choose to explore the mid-section Coastal Blue glaze I may put it on taller pieces, reduce the # of seconds i hold the Starry Night glaze on the bottom and glaze the interior first. I’d give myself an A+ for effort!