Pondering, mulling, thinking, analyzing, planning, hoping, etc. Stay with me on this brief venture through exploration & pottery research.
While juggling two clay bodies and exploring my intent for each clay for this year’s creation lots, I ventured down the rabbit hole of researching SLIPS & mason stains in hopes of decorating or enhancing my pieces in a cool new way. During this time my memories included brief mentions from Master Potters Millie (St. John) Schmidt (https://www.ipacny.org/millie-st-john) and Tim See (http://www.timseeceramics.com, https://www.youtube.com/user/timseepots). But I had a twist to include, which was “would mason stains work well on bmix wood clay body for wood-firing“…which I plan to research more of course…
So then I happen to pop over to the issue of CRAZING, which for some reason led my curiosity to body cracking and glaze popping …
Do you see how my mind trails? LOL
So today though, I research and find a resting area in the rabbit hole I’m venturing where I exclaim (silently of course), “Ahhh! My college chem courses have just laughed at me!” (see picture below “Figure 2”). What a good moment for some humor!
Okay, here is the illustration that helped me realize it was time for another cup of coffee:
Body Cracking and Glaze Popping – Kgs.Ku.edu
1 Key Point of this blog vent(uring) is:
Give THANKS for each breath, both in and out. For each of moment can bless you with #yet-to-be-realized wisdom and love.
Supplemental points include:
–Willie Nelson wrote the song, “Crazy”
–Patsy Cline sang the song, “Crazy”.
I heard these words, “Personal Relationship with the Matter World” from a recent YouTube video from Linda Moulton Howe (conversation at 39 mins 14 secs) and it resonated with me right then, right there. I felt a harmonious connection with those words and our recent Wood-firing event – – because creating pottery with a wood-fired kiln process is really, as artist, instructor, and amazing soul Wes Weiss recently said, it’s a “Labor of Love“.
Here are some photos from the 2018 wood-firing May 18-May 20.
Cones laying down
Potter Master Tim See
One of the unloading tables
My lot of finished pieces
Alan Gifted this beauty!
Potter Masters Gather
Front half of kiln
Potters unload kiln
Gently tapping shelfs
Sided view of front half of kiln
It was a beautiful day in central New York on Saturday, May 28, 2016.
By beautiful, I mean the clouds were puffy white against a sky of deep blues, and although the breeze was slight, the temperatures were in the low 90’s and the sun was beating us down like a.. well, let me just say it was HOT! We’re not exactly used to 90 degree weather here in CNY, especially so early in the season – but like most folks I talked with I wasn’t complaining.
We arrived to the destination of the first wood firing of the year (there will be 2 more sessions this year)! The area seemed most welcoming with a good deal of positive loving energy. And upon quick glance, the care and work associated with building a wood-firing spot were definitely evident.
We proceeded down the path to the hot spot – literally, where high stacks of hard and soft wood sat patiently waiting for their turn to help realize the dreams and hopes of those who created more than 400 earthly creations.
Sean was the only volunteer present at the time. He welcomed us warmly (excuse the wood-firing pun), sharing the history, his insights, teaching us about the wood-firing process and the furnace. We are definitely appreciative of his wealth of knowledge and generosity!
Sean shared how the surfaces of the pottery pieces could be affected by their placement and direction facing the fire.
The addition of soda ash circulates in the furnace to help produce a glazed effect on as many surface locations as possible.
We stayed only a short time but learned a lot!
I am truly in awe and in appreciation for all the people that worked together to make the wood firing a reality.